Peter J. we have an issue on the Premiere cc 2018 and Media Encoder. For heavier grades or multiple compression iterations, Prores HQ should be used. DeCrescenzo wrote: My BMPC-4K camera records ProRes HD/UHD (HQ, 422, LT, Proxy) and RAW 4000 x 2160. Reply. With codecs for Windows and Mac, as well as being deemed a SMPTE standard, DNxHD may be a more future-proof alternative to Apple ProRes. This is normally set to yuv422p10le or something like that, but if you want to use the 4444 prores you would set it to yuva444p10le. Render previews of any clips with effects and clips that are not the same as the new smart. The artifacts in cineform are smoother, more organic. Reply. If you’re exporting for say a live concert with LED screens, the difference will be noticeable, eg colour gradients will. I do have an unrelated question though - I am very interrested in purchasing a GoPro 3 Black edition - we actually sold our GoPro Hero2 just the other. 265. CINEMA DNG: 2400x1350 (after. 264/H. 709. Performance and Quality of DNxHR & ProRes. Released October 24, 2022. ProRes 4444 XQ takes this further by using even less compression. Records in H. Participant , Nov 13, 2012. 264等面向分发的格式解码更简单。. The place for questions about shooting with Blackmagic Cameras. VEGAS Pro. mov)" or "Avid DNxHD 720p (*. I use Premiere Pro CC on a 27" Retina 5K iMac with 24GB memory. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. ProRes : Frame dimensions: Frame rate: Apple ProRes 4444 data rate: Apple ProRes 422 (HQ) data rate: Apple ProRes 422 data rate: Apple ProRes 422 (LT) data rate: Apple ProRes 422 (Proxy) data rate: 720 x 486: 23. A quick overview of the target data rates for ProRes, DNxHD, and DNxHR in Megabits per second (Mb/s). 它是 Apple Intermediate Codec 的后继产品，于2007年与 Final Cut Studio 2 一起推出。. Any lens that wide that isn't $10,000 is g. Either ProRes 422 or ProRes 422 HQ codecs are preferred however DNxHD is also acceptable. In my experience DNx does run better than Pro Res and encodes faster, but the difference isnt massive. 1920x1080 (50i) 16:9. • Apple ProRes 4444 • Apple ProRes 4444 XQ • Apple ProRes 422 HQ • Apple ProRes 422 • Apple ProRes 422 LT • Apple ProRes 422 Proxy • Avid DNxHD (1080p and 720p 1920x1080 and 1280x720, 4:4:4:4 and 4:2:2) 36, 115, 120, 145, 175, 185, 220, 220x. The other option that is used with prores is the -pix_fmt option. These are the basic settings. Avid DNxHR, which stands for "Digital Nonlinear Extensible High Resolution", is a lossy UHDTV post-production codec engineered for multi-generation compositing with reduced storage and bandwidth requirements. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Avid DNxHD vs. cancel. However, if you’re shooting a project with a short turnaround time, you can’t go wrong with ProRes. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, professional quality "mezzanine" (some editors refer to them as "intermediate") codecs. I've personally always wondered if there was actually any difference between these two codecs. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. Any format (specially 10bit+) can preserve HDR data, it's just a matter of correct data mapping during export. DNxHD, DNxHR, ProRes and Cineform are all what are known as "intermediate codecs". Exporting out of one generation (camera originals) of H. Resolve handles both fine. Both have similar structures/data rates. You could check out the files in Media Info to see the audio specs, or pull both. Prores works better on a Mac. Apple ProRes. HD material proxys at DNxHD 36 should be equivalent to DNxHR LB (Low Bandwidth. Adds file support for HEVC 8-bit 4:2:2 encoding. ProRes and DNxHD/R are codecs. after setting blender to 1440 x 1080 fields bff and the bitrate to 110 000 fps 29. 264 YouTube Environment!-~-~~-~~~-~~-~-Please watch: "Music Video Spee. Re: h264/265 vs DNxHR LQ proxies in Studio. HD material proxys at DNxHD 36 should be equivalent to DNxHR LB (Low Bandwidth. But from using the Hyperdeck Shuttle2 to record HD, I discerned a better quality image using ProRes than DNxHD. It's even better than the original AVID nomenclature, because it isn't obvious that DNxHD 185x is a 10-bit codec, unless you know the official specs (see attached). The other option that is used with prores is the -pix_fmt option. Download and info for Video Space Calculator. Native IMF, IMP, Apple ProRes formats, HT‑J2K, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats, Studio for >=4k/Dolby P3D65/HT‑J2K. ProRes and DNxHD/R are codecs. . chroma subsampling ratio, and the precision of the audio synchronization (locked vs. MXF should work as that is also SONY. The resulting file should show an alpha channel. Comparing Apple ProRes LT, 422, HQ vs Avid DNxHR LB, SQ, HQ, HQX. Some Company's have a deal with Apple, and so you can encode ProRes on a Windows Workstation. Therefore, you can absolutely master in the native format of your raw media. Most often I shoot ProRes HQ. Source is a test file prepared to evaluate quality of DCP systems. Take a compact broadcast-quality record/playback deck with you. for compositing apps, is that there aren't any frame size or rate restrictions on ProRes, as there are with DNxHD, which is quite persnickety about them. Since DNxHD is made by Avid, and ProRes is made by Apple, it makes sense that DNxHD would work better on Media Composer and ProRes would work better on Final Cut Pro X. Choose your Color Levels, whether you want an Alpha Channel (if you want an Alpha Channel, you’ll. Fri Sep 20, 2013 5:17 pm. ProRes codecs are all 10-bit 422 as is DNxHD 220x but lower bit rate DNxHD codecs are 8-bit 422 architectures. Same files work fine in CC 2017 both Media Encoder and Premiere. And DnxHd had the worst quality. I will take my equipment outside and do some daylight shots and run the same tests that you did. Just like when shooting in N-Log, this disables any internal recording. If you are shooting H. Posts: 357; Joined: Tue Aug 06, 2013 1:29 pm; PRO RES VS DNxHD. Avid DNxHD is a codec developed by Avid, the makers of the popular Avid Media Composer software. For Windows users considering prores or dnxhd as in intermediate, I would also look at cineform . Note: Interlaced writing is not supported. Smart Rendering is a "workflow" to export files 20 times faster by using your preview files to assist the export. LB (roughly equivalent to ProRes Proxy) SQ (roughly equivalent to ProRes LT) HQ (roughly equivalent to ProRes 422) HQX (roughly equivalent to ProRes 422HQ) 444 (you guessed it, roughly equivalent to ProRes 444) Both the 444 and HQX variants use 10-bit color in HD or less, and either 10 or 12-bit color at 2K/UHD/4k resolutions. A codec is a specific schema for encoding video or audio data. C. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. Last edited by Truthler; 21st Dec 2020 at 12:52 . ProRes performance in Resolve? Sun Jul 05, 2015 4:39 pm. The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. So if you move by one frame, your NLE (and, yes, this is the same for all NLEs) needs to read one frame only from. Avid used to use bandwidth values (36, 145, 175 etc) with the name of their codec. Official Prores and DNxHD are slightly more noisy compared to Cineform . To see the difference between ProRes and the other video codecs, here is a table that shows ProRes vs. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and. 2 Upvotes. Now it looks like it might be DNxHD 444 instead. DNxHR doesn't have the strict specs that DNxHD has so they can be different, but don't have to be. Since it doesn't use QuickTime as wrap (or need qt32 server which creates a bottleneck ), OP1 render / exports about 2X as fast. In most cases, ProRes is a better choice than MPEG for. 264 video, especially 4K you know it can be a stuttering. (A list of possible pixel formats can be invoked by running ffmpeg -pix_fmts. Community guidelines. In a proxy workflow, you convert your original camera media to a more edit-friendly codec while you’re working in your NLE. The target data is 147 Mbps. Results can be emailed or copied to the clipboard. 2 or later for DNxHD/HR. Media Composer support for ProRes does not require QuickTime. Pierre_Devereux. 264, as they maintain quality during editing. 3) Resolve works in 32 float bits, to avoid this kind of mess. So you don’t need to worry about generation loss. 10-bit 4kp60 Apple ProRes or Avid DNx for extended recording For the first time in a mirrorless camera from Sony there is also a 10-bit 422 HDMI video output option available. Something like a 422HQ will have much higher quality than 422 proxy, but at the cost of being a much larger file size. Almost looks like Resolve doesn't convert from DNxHR to Prores optimally! On the other hand, what's going on behind must be much more complicated than that: have just rendered color output (in the "User" render cache mode) of the same clip I tested before (with TNR node set to auto-render, and cache mode to Auto): full 50 fps playback of. 264 or an mpeg based codec. 265, where there are only complete. It was designed by software. I'm not saying that Adobe pays Apple the license so it can add native support to export in ProRes, but they could maintain support for plugins at least. I will take my equipment outside and do some daylight shots and run the same tests that you did. If you are using ProRes HQ, DNX220 is the same thing. I have encountered a couple of issues with ProRes files that are specifically PC related. Please add Avid's DNxHR and DNxHD for import. You might try transcoding your 4K footage to 720p ProRes proxies. ago. Containers have file extension like . mov, can. Hello, we have an issue on the Premiere cc 2018 and Media Encoder. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. One of the most valuable things I took away from FCP7 and Avid is that using optimized formats is always the best. So for example at 1080i59. Video Codecs & Compression Guide (Feat. Media Composer supports the creation of Apple ProRes media in OP-Atom, MXF OP1a, and MOV containers on both Mac and Windows. When comparing DNxHD vs. Codec ini adalah codec standar editing di lingkungan Avid Media Composer. This version of the codec has 70% of the data rate of ProRes 422 and 30% smaller file sizes. 264 to something else is probably a good thing. We tried the update but this issue is a fundemantal. Quick question: what are the advantages of using the most common non long-GOP codecs for editing (DNxHD/DNxHR and Prores) vs intra-frame H. Follow; Report; More. Re: Cineform or DNxHD intermediates for editing in Resolve 1. 12 posts • Page 1 of 1. H264 obviously reduced file size significantly, which is great. Report. (Note: The DNxHD flavors are specific to 1080/24p format video. While ProRes is capable of larger sizes, Avid DNxHD is not. 3 in place of the FFmpeg from your 20. If you use ProRes 422, DNX145 is the same (except 422 supports 10 bit). The actual space taken up may differ slightly due to embedded audio, differing frame sizes and aspect ratios, and inter-frame compression / pulldown. Votes. Apple ProRes vs. This is normally set to yuv422p10le or something like that, but if you want to use the 4444 prores you would set it to yuva444p10le. prores can be read an all platforms by most applications, but resolve on windows isn't able to write it. Colour sampled at 4:2:2 minimum. I am about to grade a feature, and was supposed to get prores 4444. AFAIK it’s the same bit rate and everything, and I will not use any alphas. ProRes Proxy supports more framerates and arbitrary resolutions, and also maintains 10bpcc colour while using a lower bitrate than DNxHR LB. audio). 1. The place for questions about shooting with Blackmagic Cameras. 264 with a high bitrate? In theory the compression capability, even if is intra-frame only, is better with H. ProRes HQ QuickTime, ProRes 422 QuickTime, ProRes LT QuickTime, ProRes Proxy QuickTime for all formats up to 2160p30. Location: 1146 North Las Palmas Ave. Votes. Why is that?. Click "Folder" button in the Output bar, and select a destination folder to save the result DNxHD encoded files. DNxHD vs. First, while you can AMA/Import the footage okay and edit okay; you can't export at all. . By Angelo Lorenzo | Adobe, Apple, Software | 9 Comments. DNxHR and ProRes are comparable in quality at the same bitrate. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. Community guidelines. These codecs are designed to retain the image quality and details from your source footage but optimized for better playback. I’d strongly disagree. Below is data taken from Nuke's online documentation on different bit rates you may use: • 1080p/24 350x, 175x, 175, 115, 36 (same at 23. brycedouglass • 2 yr. Now a Panasonic GH4 with Atomos Ninja Assasin recorder will join the mix. If not, it’s DNxHD/HR. Premiere’s default installation also includes other common workflow. As rec. It was shot on film and has special scenes to test codecs. Next, click on the button “Format Options”. Instead I use MXF OP1a AVC-I00. Both are good mezzanine codecs. Choose a proper pixel format using the format filter. In simple words, Apple ProRes codec is designed for post-production while H. For web-based work, Prores LT/DNxHD LB is more than adequate. DNxHD – DNxHD is Avid’s intermediate CODEC. Calculate the disk space taken up by over 75 codecs including ProRes, Animation, ARRIRAW, DNxHD, XDCAM and DPX. You have to transcode to DNxHD on export. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, with excellent multigeneration performance and a mathematically lossless alpha channel of up to 16 bits. Specifically good with AVCHD to Dnxhd or Prores. Cineform is an excellent alternative, but a bit slower on Macs. 264, and just by being intra-frame the playback performance while editing should be equivalent to. X Facebook Pinterest. It appears that ProRes files exported Same-as-source from Avid behave differently than DNxHD exports in a couple of cases. 264 footage to DNxHD from ProRes as I've found it to be more windows friendly, Resolve is certainly more snappy for me using DNxHD 145 as my footage is. Avid DNxHD and DNxHR are based on SMPTE 2019–2006 (VC-3). 1 can decode the format supporting an alpha channel, but not encode it. Ninja 2 & Samurai owners need AtomOS 4. Translate. The main difference between DNxHD and DNxHR files is the frame size, with DNxHD files being capped at HD frame sizes, while HR (High Resolution) will handle anything up to 8K. Upvote Translate. ProRes vs H. Prores a little bit better than Cineform. Anything else is just an implementation decision, so up to BM. I found it to be closer to uncompressed in quality. AJA KONA 10-bit Log RGB 720 AJA KONA 10-bit Log RGB. 3. As opposed to say the long-GOP (group of pictures) format H. Something like a 422HQ will have much higher quality than 422 proxy, but at the cost of being a much larger file size. 32bit v 64bit for codec doesn't always translate to speed problems. On the ProRes side everything from ProRes Proxy to ProRes HQ is 10-bit. Compressor 4. It's formats and codecs. 264 to something else is probably a good thing. Tue Apr 11, 2023 8:02 pm. So different Prores levels (422 proxy, 422 LT, 422, 422 HQ, 4444) mean the quality/compression levels. AJA KONA 10-bit Log RGB 720 AJA KONA 10-bit Log RGB. These codecs are designed to retain the image quality and details from your source footage but optimized for better playback. . To smart render to/from QT AVC-Intra, install the QT AVC-Intra codec. Understanding these codecs and their applications can enhance your. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. Wed Jan 29, 2014 5:23 pm. unlocked audio). One of the most appreciated post-production tools by Apple, Final Cut Pro X, can easily convert MP4 to ProRes without using any other third-party program. Refer to Valid DNxHD parameters above for accepted values. 1, MacOS 12. DNxHD is a video codec intended to be usable as both an intermediate format suitable for use while editing and as a presentation format. 5k BMCC, you have 3 shooting modes - Raw, ProRes HQ and DNxHD. Avid DNx. 26x 和 MPEG. As an example, Avid DNxHD or DNxHR is free but has to be activated by the user. We ask for ProRes Proxy 1920X1080. That response about ProRes vs DNXHD is misinformed. Location: 1146 North Las Palmas Ave. DNxHD. Pro res is similar to the old lossless hufyuv. However, there are six versions of ProRes, each of which vary in bit rate (and file size). There is no way XAVC-I 100 produces better result than DNXHD 185. Agreed with Pat on ProRes vs DNxHD - they're very similar. In terms of the GH5, it means that: the 1080p 10-bit 422 200Mbps ALL-I mode is likely to be roughly equivalent to 1080p Prores HQ which is 176Mbps. 2 Upvotes. Just as a quick tip the various versions of the DNxHD codec are listed by bitrate DNxHD 175 is 175mb/s similar to Prores 422. Side note: If you wanted to go with DNxHD instead of ProRes, you have similar options, except that DNxHD also offers an 8-bit version for the lower-end codecs. Dual built in SD card recorders save files from any camera in 10‑bit 4:2:2 ProRes or DNx formats. Kevin Monahan, from Adobe, summarized the steps of Smart Rendering: Be sure that your GPU is enabled in Adobe Media Encoder and Premiere Pro when exporting. DNxHR is an edit codec (like ProRes). Like you said you can always change to a HD project to encode to SQ. So the difference in file size and data rate is rather small (this was using DNxHD. 265) compression codecs in Ninja V recorder - looking for compression artefacts that may appear when gra. DNxHR is meant to be a. It has a target data rate of 102 Mbps. Avid DNx. That means exactly what it says: you can’t tell the difference between your original video and the same material encoded to ProRes or DNxHD. If you have a properly tuned post production workflow then the amount of times you'll recompress an intermediate video is zero or once; the most common case is recompressing assets like. Currently I'm just using Resolve to process the conversion. It’s most suitable for VFX work, Chroma Keying and heavy color grading manipulations. . Hi Rick, Thank you for the reply and the examples. Translate. 此格式是基于DCT标量的 帧内编码器，其中每一帧都独立存储，可在不依赖于其他帧的情况下进行解码。 因此比诸如H. Studio for >=4k/Dolby P3D65. DNxHR was designed to fill the same need. Report. Last edited by Truthler; 21st Dec 2020 at 12:52 . DnxHD is free to decode (play back) and encode (create) on all platforms. The target data rate of ProRes 4444 is approximately 330 Mbps for 4:4:4 sources at 1920 x 1080 and 29. DNx has ranging issues when working outside of Avid, often being interpreted as full range, even if legal. If its a feature, try to break it up into 20ish minute reels. 0b input connections, DeckLink Quad HDMI is like getting 4 separate and customizable capture. PR422 is 10 bit. Always, use DNXHD or Prores for proxies. DaVinci Resolve 17. MikeVideopunk. 7K (Apple ProRes 422 LT). MXF can hold pro res or a ton of other codecs. DNxHD145 is similar to ProRes, DNxHD100 is similar to ProResLT, and DNxHD36 is similar to ProResProxy. Wildly used in post: higher compression for editing and lower for finishing. It is a fixed bit rate codec, with each variant having a locked multiplier based on resolution and. If we look at two of the shooting formats, we can see on paper that there is a huge difference in quality. Today we check out if their is really a difference between ProRes HQ and DNxHQX in a H. That's essentially exporting the AE comp now into a relatively lossless DNxHD format which will render much faster when you render. 12K views 3 years ago. I know in the past ProRes sucked because it - 9759274. Fixes an issue where exporting ProRes RAW to H. MOV (DNxHD/DNxHR) - Popular use with Avid and Premiere MOV (Prores 422/422 HQ/4444) - Popular use with Final Cut X, Premiere and Avid MOV (GoPro Cineform) - Amazing format primarily used in Adobe PremiereThe GoPro HD3 black is much better in all regards than the previous models. Welcher Codec ist der besser, DNxHR oder ProRes?! Stößt DNxHR ProRes vom Thron? [DNxHR vs ProRes] Ich werde in jüngster Zeit immer öfter gefragt: Welcher is. H. agent42b • 7 yr. So I decided. DNxHD, DNxHQ의 경우에도 Windows를 위한 무료 코덱팩을 제공하고 있으며, VC-3, VC-5이 두. . 265 would retain more data than ProRes, but I was surprised that it does so well with just 1/5 the data. ProRes is a compressed format, but one that aims to be “visually lossless”. Firstly on the Z6, you have to go into the menu under HDMI Advanced and select RAW Output and then choose to enable the RAW output. Meaning that all frames are complete data-sets for that frame. Since Resolve's likely to have these decoding (and encoding) issues, rendering to DNxHR or ProRes first is a better option. . ago. I've never seen anything like that out of Media Composer. Comparing Apple ProRes LT, 422, HQ vs Avid DNxHR LB, SQ, HQ, HQX. . Avid makes DNxHD/HR slightly less attractive by making it natively 8bit, forcing you use an HQX flavor with a higher data rate for 10bit, making it mildly less efficient. There are six types of ProRes codec for you to choose from. Of course, it is a specialized pro-oriented GUI/frontend to work with ffmbc, but you could just pick up ffmbc yourself for free if you are OK with command-line apps. DNxHD is definitely more CPU friendly on my laptop. In Premiere 23. Translate. ProRes 422HQ vs DNxHR HQX vs and DNxHR HQ in 4K and DNxHD 220x in FullHD. Apart from ProRes formats it also offers DNx. Smh. Short Answer: YES, we still need them and will continue to for a while. DNxHR 444. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. Follow; Report; More. The calculator can be used with any type of media, including HD or SD footage, as well as. 709 video at up to 4Kp60 into production ready ProRes or DNx codecs. The numbers of DNxHD refer to the bit rate of the file. These codecs, along with Apple_ProRes_422_Codec_Family and Apple ProRes RAW were. Report. 2) Our natives Prores are in 12 bits. I create Apple ProRes 422 Proxies (all same settings except. A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. ago. But I just can't wrap my head around why Avid decided to limit the DNxHR codec options for proxy encoding and giving you four flavors of ProRes at the same time. 6. DNxHD 36, for example, is a low-bitrate option suitable for offline editing, while DNxHD 175X offers higher quality for online finishing. Conclusion When it comes to choosing between Apple ProRes vs Avid DNxHD, there is no clear-cut winner. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and. With 1080p DNxHD Taskmanager says that I'm right around 34% CPU usage. The file format used by Prores is Apple Quicktime. - Carsten. The benefits of transcoding into a format like ProRes is that you’ve got a less-compressed file that the computer can more easily work with, than say H. Well, bandwidth wise, the Proxy form of ProRes or dnxHR LB (low bandwidth) is going to be the best choice. Video Codec: Apple ProRes 422 Proxy. Incl. I'm looking to fall back on MJPEG capture on ME, but I'm wondering what bitrate it captures at in comparison to something like ProRes. 26x and MPEG standards, the ProRes family of codecs use. In most cases Quicktime is a bad idea on Windows machines, except GoPro Cineform. For those wanting more information on ProRes vs DNxHD vs Cineform, especially those transcoding and/or editing on a PC, here's a a helpful comparison. Resolution: DNxHR HQX 10-bit. 264/265, both will be smooth. Avid推出的一种解码，mfx封装格式。 PC常用。现在用的基本上都是DNxHR，它比DNxHD有更大范围的分辨率支持4K。The first is Prores HQ from the Shogun: This is the XAVC S frame: There is only a slight difference, especially in the green channel. DNxHD data is typically stored in an MXF container, although it can also be stored in a QuickTime container. Therefore, you can absolutely master in the native format of your raw. The BMCC's built-in LCD can be set to "Video" mode while recording "Film". Records ProRes, DNxHD, and H. But since this question pertains to whether ProRes4444 or DPX is better for VFX, I’ll give it a try here. These formats range from extreme compression to minimal compression rates. It is used for editing: optimized to retain as much as possible information and to be very fast when moving the playhead. ago. H264 vs DNxHD conversion. Another possibility is that CineForm will gain in popularity in relation to other intermediate mezzanine codecs like ProRes and DNxHD. 94, DNxHD220 is similar to ProResHQ. These formats are referred to as intraframe formats, not interframe formats. You will also likely encounter DNxHR again and. 1 Correct answer. This codec is very useful as a final deliverable or even if you need to share a project. Output a self-contained ProRes file of your longplay screening cut. It has a target data rate of approximately. L. Atomos Ninja V) November 1, 2018 in Nerdy Explanations. So, if you want to compare codecs like ProRes vs DNxHD, ProRes vs Cineform, DNxHD vs. DNxHR is slightly better than DNxHD. It changed to DNxHR when greater-than-HD resolutions happened. Not so much for the colour space, but more so for editing - short of transcoding to something smaller in compression/screen size at post production stage, I'm wondering if DNxHD is less resource intensive and can play a lot better on a Mac. Because companies publish their own specifications in different formats, it can be difficult to compare codecs directly. Codec differences DNxHR and ProRes was optimized to be visually lossless through many generations of decoding and re-encoding. DNxHD is a video codec intended to be usable as both an intermediate format suitable for use while editing and as a presentation format. If you are happy with Apple ProRes then you will be OK but a number of codecs including footage from GoPro cameras recorded in the CineForm format, Avid DNxHD and DNxHR will not be supported at all in Apple’s applications from macOS 10. The resulting file should show an alpha channel. Activity › Forums › VEGAS Pro › Avid DNxHD vs ProRes for Vegas Editors. Let's say my original footage is H264. Indeed, I think we discussed some of the possibilities of why that may be happening. Both ProRes and DNxHD are intermediate codecs, meaning they’re designed with editing in mind, they’re less. Translate. You have to transcode to DNxHD on export. You won't want less than ProRes 422 HQ for final results anyway.